Your problem is
you create trouble. You create– I don’t think that
I create trouble. –drama. You create chaos– I think what it is– –wherever you go. I feel that you see me– I don’t care what you feel. There were names
called, things said that didn’t need to be said. I know. But she said get out. And you just didn’t get out.
She had to say it– – I know.
– –like, 20 times. I wanted Sarah to dance. Michelle– The problem is, is that
Michelle is a studio hopper. Right.
You studio hop. I’m not a studio hopper. She’s hopped– I went to two. –all over studios
from Pittsburgh. I did not. Let’s talk about Tammy. [DAUNTING MUSIC] And nobody else is speaking. It’s just me. This is why everybody
thinks I have a big mouth. We’re not allowed
to say “Tammy.” Am I finished now? Do I get to leave? I think I do. Bye. Thank you all for coming. Thanks for a great season. I don’t even know
what just happened. – Can we all leave now?
– This is so typical. Abby, why don’t you come back? Abby, just finish this. Let’s go. Why are you leaving? Well, you’re not
allowed to say “Tammy.” All right. You’re going to make
me walk in this. Oh, my god.
Abby. I don’t understand
why you’re leaving. Abby, come on.
We’re almost done. Just finish this.
– Abby, what are you doing? ABBY LEE MILLER: Because
you’re so stupid. Why would you bring
her up like that? I’m not stupid. She can’t even say
my kid’s name right. Do I care if she’s leaving? I’ve never seen
her, like, storm off. She does it all the time. Does she do it all the time? All the time. I’m finished. We– we can’t do
this without you. You know that, right? What– what just happened? It’s her rival studio. We know that if we say the name
of the studio that she leaves. If we say “Tammy” or the
name of her rival studio– Sure. –we are, like– krrt. Abby, you can’t leave. ABBY LEE MILLER: This is the
United States of America. Try to hold me. Abby, I don’t even
understand why you’re leaving. I just asked that police
officer if I had to stay, and he said no. Ashley, do you want
to sit where Abby was? Me, why? Because she really wants to
be you at the end of the day. Oh, yeah, I know. You guys maybe have
the same initials, right? Yeah, I know. You did say that, right? So if we can, ladies, I just– what happened when
you went out there? She’s gone. – She’s upset.
– Left. She’s upset. I don’t even know
why she’s upset. But specifically because
of the rival studio talk? Correct. Because she said her name. Because I said Tammy’s name. So why can’t we
talk about that? Because I’m not– They’re going to see all that. –going to be on a
show where you’re talking about someone that
is potentially a competitor in Pittsburgh. Will you come back and
just say, put an end to it– ABBY LEE MILLER: Nope. –and let’s move on?
ABBY LEE MILLER: Nope. Nope. No, no, no, no, no. It’s another day
at the office, guys. Another day at the office. What do you want to say, then? We don’t discuss it. Then let’s say it. I’m not saying another word. Welcome to the ALDC, Jay. Oh, hi. Protect me, please. I’ve had it with this. I didn’t do anything
wrong, officer. I did not do anything wrong. [MUSIC PLAYING] Sabotage. Guys, Abby’s coming
back in the building. Oh, yay! Yay. Can you tell everyone to clear
the way so I can keep walking. One door. Abby, door. Abby, door. ABBY LEE MILLER: Hi! [APPLAUSE] Are you ready? I was born ready, babe. I’m always ready. Yes, here we go! [APPLAUSE]